-
Berman, Robert A, Fade In:
The Screenwriting Process (Stoneham, MA: Focal Press, 1988), ISBN 0-94188-07-8.
-
A concise method for developing a story concept into a finished screenplay,
which has techniques useful to the one-act playwright. Includes the basics
of dramatic writing, creating three-dimensional Characters, screenwriting
form, techniques, and terminology, writing techniques, collaboration, adaptations.
Complete index.
-
Brenner, Alfred, The TV Scriptwriter's
Handbook, (Cincinnati, Ohio: Writer's Digest Books, 1980) ISBN 0-89879-024-7.
-
Discusses the schedule of a Hollywood TV writer, idea sources, professional
formatting, what to sell and to whom, fee structures, collaboration, survival.
Index.
-
Catron, Louis E., Playwriting:
Writing, Producing, and Selling your Play (Prospect Heights, IL: Waveland
Press, 1996) ISBN 0-88133-564-9, Waveland Press, P. O. Box 400, Prospect
Heights, IL 60070, telephone 708-634-0081
-
Focuses upon one acts, with exercises to get you going, inspirational
anecdotes, excerpts from classics to explain key concepts. You
can contact Louis E. Catron via e-mail.
-
Catron, Louis E., The Elements
of Playwriting (New York: Macmillan, 1993) 0-02-069291-9.
-
Not owned, but comes highly recommended.
-
DiMaggio, Madeline, How to
Write for Television, (New York: Prentice Hall Press, 1990) ISBN 0-13-969973-2.
-
How to: develop a treatment and translate it into a finished script;
create a riveting narrative, compelling characters, and lean, vivid dialog;
incorporate a "hook" into your script to capture the audience's attention;
write half-hour sitcoms and hour-long dramas; make contacts in the industry
and negotiate a winning deal; devise a successful marketing strategy for
a network, cable, or syndicated operation. Index.
-
Hull, Raymond, How to Write
a Play (Cincinnati, Ohio: Writer's Digest Books, 1983), ISBN 0-89879-316-5.
-
Exercises help to check progress and avoid mistakes. Chapters on the
playwright's business, history and conventions of the theatre, dramatic
structure, conflict, characters, dialogue, action, complications, crises,
catastrophes, conclusions, stage and its equipment, actors and directors
and spectators, writing the play, special forms, production and publication,
building a career, theatrical terms, recommended reading. Has index.
-
George, Kathleen, Playwriting:
The First Workshop (Stoneham, MA: Focal Press, 1994).
-
King, Viki, How to Write a
Movie in 21 Days: The Inner Movie Method (New York: Harper & Row,
Publishers, 1988).
-
Offers a practical work schedule for writing. Chapters on the big picture,
how to get ready, writing your movie in 21 days, embracing the impossible
obstacles, the outer obstacles, the inner obstacles, there's no business
like show business. Index.
-
Macauley, Robie, and George Lanning,
Technique in Fiction, second edition revised and updated (New York:
St. Martin's Press, 1987), ISBN 0-312-05168-9.
-
Discusses setting, plot, characterization, point-of-view, style, pace,
tone, theme, all of which elements are applicable to one-act playwriting.
-
Nash, Constance, and Virginia
Oakey, The Television Writer's Handbook, (New York: Barnes &
Noble Books, 1978) ISBN 0-89879-024-7.
-
Chapters on essential elements, development of idea, writing, formatting,
interviewing, business, excerpts from teleplay and treatments. Index.
-
Pike, Frank, and Thomas G. Dunn,
The Playwright's Handbook, (New York: New American Library, 1985).
-
Focuses on the full-length play format but has significant elements
useful to the one-act playwright. About building skills, getting readings
and performances, attracting producers, directors, actors, workshopping,
approaching theatres all over America. Includes information about royalties,
advances, tax breaks, scholarships, grants, contests, copyright laws, the
Dramatists Guild, and agents.
-
Lewis, B. Roland, The Technique
of the One Act Play (John Luce and Co., 1918).
-
In many university libraries. Recommended but not in my library.
-
Rockwell, F. A., How to Write
Plots That Sell, (Chicago: Contemporary Books, Inc., 1975) ISBN 0-8092-8350-6
(cloth), ISBN 0-8092-8249-6 (paper).
-
Former editor of Writer's Digest explains her techniques to find
and develop plots.
-
Roddick, Ellen, Writing that
Means Business, (New York: Macmillan Publishing Company, 1984) ISBN
0-02-604400-5.
-
Advice for nonfiction writing needs_after the script is finished and
attention turns to marketing.
-
Root, Wells, Writing the Script:
A Practical Guide for Films and Television, (New York: Holt, Rinehart
and Winston, 1979) ISBN 0-03-044221-4.
-
Evolved from an extension course at the University of California at
Los Angeles. Discusses dramatic elements, writing process, marketing process.
Index.
-
Sautter, Carl, How to Sell
Your Screenplay: The Real Rules of Film and Television, (New York:
New Chapter Press, 1988) ISBN 0-942257-07-3.
-
Explains the industry.
-
Seger, Linda, Making a Good
Script Great, (New York: Dodd, Mead & Company, 1987) ISBN 0-573-60691-9
(cloth), ISBN 0-573-60690-0 (paperback).
-
Focuses on screenwriting. Includes useful examples from scripts.
-
Tarshis, Barry, How to Write
Like a Pro, (New York: New American Library, 1982) ISBN 0-452-25411-6.
Despite the focus on nonfiction, Tarshis explains and stresses dramatic
elements. Good advice on marketing.
This Website continues under construction and welcomes new
citations and comments.
Page mounted November 24, 1998, by the site Webmaster.
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a there there with a correct click.
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