a 25-minute drama in English, set in a section of enclosed garden adjoining a ballroom-auditorium where a dance is being held, Austin, Texas, spring, 1928,
• © 1982 by Horton Foote; • ; in Horton Foote’s Selected One-Act Plays of Horton Foote, edited by Gerald C. Wood (Dallas, Texas, U.S.A.: Southern Methodist University Press, 1989), ISBN 0-87074-274-4, ISBN 0-87074-275-2 (published with and should play with “A Nightingale,” a drama, 1m3f; and “The Dearest of Friends,” a drama, 2m2f); also in The Roads to Home, acting edition (New York: Dramatists Play Service, Inc., 1982), LCCN 82-240554, ISBN 0-8222-0958-6, DPS 3845; • script available from Lucy Kroll Agency, 390 West End Avenue, Suite 9B New York, NY 10024, U.S.A., 212 877-0556, fax 212-769-2832. • also, script/rights available from Dramatists Play Service, Inc., 440 Park Avenue South, New York, New York, 212-683-8960, fax 212-213-1539, http://www.dramatists.com, firstname.lastname@example.org, DPS 3845. Cited by Allen L. Hubby via e-mail email@example.com, March 20, 1997, and by Horton Foote via ftp July 7, 2000. The following information derives from both communications.
§ Dramatis Personae Annie Gayle Long (f), an inmate; Dave Dushon (m), 28, an inmate; Cecil Henry (m), 45, an inmate; Greene Hamilton (m), an inmate.
§ Synopsis Several years have passed, and Annie is now confined to a sanatorium. She and her fellow inmates participate in a spring dance. They are scrupulously polite and considerate of each other and, obviously, totally divorced from reality. Unfortunately, even though she is surrounded by images of rebirth and renewal, she prefers to delve into a world of fantasy rather than to deal with the problems of reality.
§ Comment The asylum culture reflects the larger culture but here the isolation is total and, sadly irreversible. • Essentially the only necessary set piece is a garden bench. • “Spring Dance” is the third part of a trilogy of one-act plays entitled The Roads to Home, which ties into the exploits of the Vaughn family from Harrison, Texas—from Foote’s earlier work, The Orphan’s Home Cycle. The Manhattan Punch Line Theatre, Inc., in association with Indian Falls Productions, at the Manhattan Punch Line ,’Theatre in New York City on March 25, 1982, premiered the trilogy The Roads to Home. • “A critical and popular off-Broadway success, these evocative and beautifully written short plays blend humor and poignance [sic] as they probe gently into the crises besetting a group of Texas friends and neighbors. . . . [A] loving, fierce portrait of a sweet-tempered, brutal culture a society built on kindness and discretion, with no system for dealing with less well-behaved feelings like terror, anguish, and passion.”—Eileen Blumenthal, The Village Voice. . . . “[A] literate, touching play.”—John Corry, New York Times. . . . “Foote reaffirms his abiding gentleness with tender people caught in tough situations this Home is a lovely place to visit.”—Marilyn Stasio, New York Post. • • Horton Foote’s playwriting career spans more than fifty years. His plays have appeared on Broadway, off-Broadway, off-off Broadway and throughout America. He received the William Inge Lifetime Achievement Award and the Screen Laurel Award from the Writers Guild of America as well as honorary doctorates from American Film Institute, Austin College, and Drew University.
asylum, denial, fantasy, insanity, isolation, patient, rebirth, renewal,
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