"Fruits (of Labor)"

yellow bar

Barretto, J. Michael (Part-Hawaiian American playwright, Internet professional, Web designer, 1954- ), "Fruits (of Labor),"

a 55-minute ethno-social episodic drama in English and Hawaiian set in Hawaii, 1856-1996,

3m1f (2f extras),

© 1996, script/rights available from J Michael Barretto, P. O. Box 383, Hanapepe, HI 96716, U.S.A. or sparrow@hawaiian.net or http://www.kiloihana.com/fruitsin.htm, telephone (work) 808-335-0001, (home) 808-335-0001. Cited to present author by playwright via e-mail sparrow@hawaiian.net, January 8, 1997; Barretto says,

Synopsis "(Scene 1) Danny, unemployed, and John, working, riffle the refrigerator for beer. John is preparing for a gig. Roger the bandleader arrives. Danny, although uninvited, joins the band. (2) John loses his job, looks for work, and goes to the Saturday night gig. (3) Tutu, alone as narrator, has her 'memories' enacted (on-screen with musical backing). She describes her life in Hawaii of the 1800s and encourages young Danny. (4) Danny, trying for a job at a hotel, hears he is 'overqualified.' Tutu tells of older days, pride, culture. Danny relates to John her teachings and the importance of knowing one's history/genealogy. (5) Accompanied by more music, Roger and John move to another island for work. Danny, unwilling to leave his home, stays back looking for work. Tutu explains the importance of culture, history and hope, music. (6) Danny, evicted from his home, lives on the beach, retaining his connection to history.

Comment "'Fruits (of Labor)' tells of the modern Hawaiian. It gives insight to why and how that person thinks and acts. The play, actually quite universal in application, with slight revision could apply to any number of native cultures, such as Caribbean, Native American."

Press release, January 10, 1997 Aloha no -- The script for "Fruits," a one act play about three local boys is available for reading online at http://www.kilohana.com/fruitsin.htm. The play is slated for production Friday, Saturday, and Sunday on two weekends, May 2, 3, 4, 9, 10, 11, 1997, by the Kauai Community Players. Written and Directed by J. Michael Barretto, "Fruits" will show at Kaua'i locations in the month of April for three consecutive weekends. More detailed information is available by calling Michael at 808.335.0001, or at the website http://www.kilohana.com/fruitsrun.htm.

The story tells of Danny Kama, a man Hawaiian in his early forties fallen on unemployment and his two friends John Cummings (haole boy) and Roger. All Carpenters, they are also musicians and gig part time. Danny's life is ruled by the teachings and memories of Tutu, his grandmother. Throughout the show, Tutu appears as Danny's memories, while a projected image on screen shows her memories and thoughts of days gone by. We learn what Danny has learned, and by the end of the show the audience will better know why Danny acts and thinks the way he does.

It is a story of pride, direction and hope. Traditional Hawaiian and original music (written by Barretto and performed live) before, after and throughout the course of the story make for an enjoyable experience, and Author/Director Barretto assures that the pupu and music at the end will make the Hawaiians and everyone else in the audience feel right at home.

Those interested in auditioning for this performance run or sponsoring future productions of "Fruits" should contact Michael Barretto at: J Michael Barretto 808.335.0001.

<-- ----------- begin text ----------- -->

Press release ,May 6, 1997 -- Lihue, Kauai, Hawaii


Enthusiastic audiences experienced both a play and an event the

opening weekend of "Fruits." An original story about modern Hawaiians

it is billed as a one act play. The live Hawaiian music on the lanai

starts right at showtime and is a part of the "event"! The curtain

opens a half hour later. After that , the show moves pretty fast.

With Hawaiian music to set the mood, the audiences are

invited into the theatre with an oli written by Barretto's daughter

Ka`iulani. "'ike i ko lakou uhane a ola" is one line, referring to

the actors onstage and the story they are about to tell. And after we

see the story told, Barretto serves Pupu on the lanai with more music.

The effect creeps up on the audience as they realize that although we

expected a one act play, the entire 2 hour-plus experience ties

together to tell a story of hope and history.

Barretto was ear to ear with the crowds. "All we have to do now is get

more Hawaiians out to experience the show," he said. "This is for us...

all of us. I think it really helps to know you aren't alone out there,

and in 'Fruits' I tried to do just . When you have so many people who

can relate to a common plight, with common goals, beliefs, and

aspirations, it's not just people anymore. Now it's a movement." He

was referring to comments from the show-goers like, "That's my son up

there," or "I'm that guy."

A first-time Director, Barretto has taken several rather gutsy

steps to present his message. Multimedia, using video, music and stage

creates a feeling of a link to the past with the present through the use

of lighting and sound. He has set a rather barren stage. Lighting is

subtle and sparse. The fact that this works so well speaks highly of

the skill of the Kauai backstage, lighting and sound technicians

in this production.

The four amateur actors take on an ambitious task in this tight one

act with the story and set changes unfolding around them even as they

remain onstage. All in all they retain a feeling of naturalness and

rather than watching actors, I found myself relating to the characters.

Comments and reactions after the show ranged from tears of understanding

to chuckles about some of the more pungent lines. No one was bored.

When I looked at the crowd enjoying the music and food on the lanai

after the stage presentation I thought, after all, in Hawaii what's a

party without music and food?

The second (and final) weekend showings are at the Lihu`e Parish Hall,

May 9, 10, at 7:30 pm, and Sunday the 11th at 6:30 pm.

This Website continues under construction and welcomes new citations and comments.

Page updated May 8, 1997, by the site Webmaster.

return arrow There is a there there with a correct click.

Quick Connections to Major Sections of this Guide

| Welcome | Contents | Acknowledgments |
| Foreword | Preface | Introduction |

| Author Index | Cast Size/Gender Index | Title Index |
| Glossary of Genres | Bibliography for Playwrights | Playbills by Themes |
| Eighty Script Analyses (in Print Volume) | Source Directory for Scripts |

| Visits Counter | Success Stories |
| Form for Submitting New Citation | | Form for Ordering 1/2/3/4 for the Show |
| Present Web Links | Adding Web Links |
| Guest Book | Disclaimer | General Bibliography |
| About the Author |

Quick Connections to Cast Size/Gender Menus

1 Actor
| One-Male Plays | One-Female Plays |

2 Actors
| One-Male-One-Female Plays | Two-Male Plays | Two-Female Plays |

3 Actors
| One-Male-Two-Female Plays | Two-Male-One-Female Plays | Three-Male Plays |
| Three-Female Plays |

4 Actors
| One-Male-Three-Female Plays | Two-Male-Two-Female Plays |
| Three-Male-One-Female Plays | Four-Male Plays | Four-Female Plays |

yellow beads

Small-Cast One-Act Guide Online
complements the print volume

1/2/3/4 for the Show: A Guide to Small-Cast One-Act Plays

by Lewis W. Heniford

(Lanham, Maryland: Scarecrow Press, 1995), ISBN 0-8108-2985-1, $39.50, plus s/h
Scarecrow Press, 4720 Boston Way, Lanham, MD 20706
telephone 800-462-6420 or 301-459-3366, fax 800-338-4550 yellow beads