Bollow, Ludmilla (American playwright, writer, actress, 19__-____), “The Woman with 27 Children,”
a 45-minute drama in English, set on a bare stage, unfolding circling time,
1f
; • © 1983 by Ludmilla Bollow; • in Ludmilla Bollow’s One Acts and Monologues for Woman (New York: Broadway Play Publishing, 1983), ISBN 0881450081, Broadway Play Publishing, 56 East 81 Street, New York City, New York 10028, http://www.BroadwayPlayPubl.com; • rights from Ludmilla Bollow, 314 West Sugar Lane, Milwaukee, Wisconsin 53217, U.S.A., e-mail bollow@earthlink.net, telephone (home) 414-352-8370, http://home.earthlink.net/~bollow/. • Cited by Ludmilla Bollow, via ftp September 12, 1999; Bollow says,
§ Dramatis Persona Angel (f), widow, age not apparent.
§ Synopsis “Angel lives alone in the house on the hill, built by her now-deceased husband Vernon, the love of her life. She is utterly lost without him to guide her. He carved so many beautiful things, but the most treasured, were the exquisite lifelike wooden dolls. He presented her with one each Christmas (because she could not have children). Eventually there were twenty-seven dolls—treated as real children. Confused and disoriented, Angel sits recalling their life, speaking to the last-carved child as if he were Vernon, telling of the plight taking place—the tax people coming to take their home, and the only solution is selling the priceless dolls to the museum, which tears her apart, because ‘you can’t sell your own children!’ Ultimately, she believes Vernon is back with her, and all his statues are standing once more in the magic circle, and it’s time to retire. In the morning, “We’ll take all but one child to the museum.’”
§ Comment “Requires chair and rocking chair. Angel wears long, loose gown of homespun materials, earthspun color. • This touching, gripping monologue has been widely produced in the U.S. and Canada. In Hong Kong, China, it was presented in Chinese. In São Paulo and surrounding countryside, Brazil, it was presented in Portuguese, with original music. In Pretoria, South Africa, it was presented in Afrikaan. All with commendable reviews. A simply staged tour de force for any actress!” • Addendum, May 15, 2004: “Also filmed in South Africa and in African Film Festival in Manchester, England, in 2004.”
§ Themes bare stage, children, Christmas, infertility, death, doll, gift, home, loneliness, love, magic, museum, projection, sale, tax, tour de force, widowhood, wood.
See also Ludmilla Bollow's
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